Major Motoko Kusanagi is unique, a human brain implanted in a robot's body. This, the intelligence of a human combined with the physical qualities of a machine, has enabled her to be the ultimate crime fighter. Now she faces her ultimate enemy: Kuze, a criminal who has managed to hack into the brains of androids and control them.
In the future, human organs are enhanced by the cybernetics technology developed by the powerful Hanka Robotics Corporation owned by Cutter. Dr. Ouelet is the responsible for the development of the secret project 2571 of a full mechanical body to be connected to a human brain. She uses the brain of a young woman that lost her parents in a cyber attack as subject of a prototype. One year later, the woman is ranked Major and has joined the Section 9, an anti-terrorist division commanded by Chief Saisuke Aramaki, working with agents Batou and Togusa. She needs to use a medicine to help the integration of her brain with the mechanical body and has no recollections of her previous life. When Section 9 hunts down the terrorist Kuze, Major learns secrets about Hanka and the experiment she was subjected. What will happen next?
When I watched this movie I had in mind of how low Metacritic the movie had gotten, this made me a little gentle on the film even though I was still pretty harsh. But! There was not that much to be harsh about. Reason why is because the movie producers didn't "milk it out", this made it very pleasant to watch and entertained me well. One thing I think could be improved in the movie would be if they showed a little more between the scenes, there was quite a lot of skipping. This did not ruin the movie at all though.
Basically, this is a pretty failure.<br/><br/>Even with those low expectations, it&#39;s a pretty underwhelming movie, which is sad. The original movies, manga and series aren&#39;t just action; they&#39;re about the nature of identity and consciousness, what defines us as humans. The live action version does have some bits about that, but it&#39;s just some platitudes about our actions, not our memories, defining us repeated at the start and end of the movie. <br/><br/>What replaces it is about the most hackneyed &quot;origin&quot; story possible: &quot;they&quot; stole her memories and gave her fake ones and now she wants to know what really happened.<br/><br/>The movie pillages the original anime movie for pretty much every striking visual it can get away with: everything from the opening credits through to the final battle with the spider tank. But it doesn&#39;t take any of the themes or thoughts, just the gloss, and that leaves it a shell without any ghost.<br/><br/>The performers try hard but, when you get down to it, it&#39;s a slight story that misses every chance it has to do more than be a visual rip of the original.
If the "ghost" of anime classic Ghost in the Shell refers to the soul looming inside of its killer female cyborg, then this live-action reboot from director Rupert Sanders really only leaves us the shell: a heavily computer-generated enterprise with more body than brains, more visuals than ideas, as if the original movie’s hard drive had been wiped clean of all that was dark, poetic and mystifying.
Several details and approach differ from the original anime. The Ghost in the Shell franchise is based off of a manga (comic), and so the films and series and even video games have all taken creative license from the original source material.<br/><br/>Making a live action film made certain styles and approaches to the physical rendering of the world impractical resulting in many visual differences to the new film that imbue an 80&#39;s cyberpunk feel similar to that of Blade Runner.<br/><br/>Another difference is that the storyline is a blend of several of the existing series, and does not follow the same storyline as the original film. Characters and back story are predominantly drawn from Stand Alone Complex 2nd gig, Stand Alone Complex, Arise and the original film.<br/><br/>The degree of violence and swearing in the original film is on a completely different level from the live action film. Creative camera angles obscure the genitals of the characters, and very little swearing is present in the new film.<br/><br/>There is no question that this is a Ghost in the Shell story, but in many ways the philosophy is simplified and the pace is much faster than the original anime. In the Ghost in the Shell stories, the Major has a completely prosthetic body. Although written and published in Japan, the original comic and some of the series show the Major in several bodies, and at times without a body entirely. It is believed by many that the artist&#39;s rendering of her prosthetic body was deliberately ambiguous in its ethnicity, while her &quot;ghost&quot; (the spirit that makes up her character) is also of obscure origin. It is assumed that as the stories largely circulate in the region of Japan and east asia, that her original form was likely Japanese, though the Major speculates at times that she may be synthetic all-together; this is all a part of the philosophy discussed in the stories.<br/><br/>In the live action film, the Major is given a Japanese origin for her ghost.
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